Interrogare la storia dell’arte attraverso il Diario di Carla Lonzi  

Carla Subrizi XXI (2026), 1 Saggio This essay examines Carla Lonzi’s Taci, anzi parla. Diario di una femminista as a critical resource for rethinking contemporary art historiography. Moving beyond a reading of the diary as a document of Italian feminism, it argues that the practice of self-consciousness (autocoscienza) opens new ways of understanding the relationship […]